Ancient
Interpretations of Ovid's Love Stories
The first story from Ovid's Metamorphoses to be interpreted is "Echo and Narcissus." There are some traditional elements to the story as a love story paradigm. There are stories of "boy meets girl" and often part of that story is that one or both of the romantic leads like each other, but have difficulty synching together to have a romantic interlude. Narcissus calls out to Echo in the woods for them to meet together. She is excited but she can only repeat the last phrase or so of what Narcissus says, keeping them from meeting together. In another way, the story is a traditional love story, in that the girl loses the boy. What is non-traditional is that the girl loses the boy to himself. Narcissus sees his reflection in water while roaming the forest and falls in love with himself. Thus, this is a love story, but an odd one. Some times people are too much in love with themselves that they go blind to the other sources...
However, people have had a choice, and, while they could have continued to grow their crops peacefully, they preferred to fight endlessly instead, having despair constantly present in the world. It is not certain whether or not people could have actually stopped evil from entering their lives, but it is certain that it would need a miracle for it to disappear. The poet presents the tyrant Lycaon as being a
The Medici family was heavily involved in the excavation of priceless artifacts from around the Florence area. Exposure to these excavations, many of which were financed by Michelangelo's key patrons, undoubtedly had an affect on his affinity for classical art and art forms. Through his use of ancient works in his own art, as well as his propensity to copy the style of these ancient artifacts, Michelangelo managed to
He masked himself as Philostrate as he finds his way towards Athens. His standing for righteous activities and healthy language developed so quickly that in a short span of time he turned into a beloved companion of Theseus (Hubertis, 1916). Palamon, meanwhile, has wasted seven more years in jail, and has almost gone insane. Incongruously, nevertheless, an acquaintance ultimately assisted him to getaway from his imprisonment. He took to his
Cultural and Social Influence of Neoclassical Artist (Antonio Canova) Antonio Canova Culture and social influence of the Neoclassical artists Antonio Canova's life was mainly of sculptor because his father, Pietro Canova, was a stonecutter of Possagno. His became brought up with his grandfather, Pasino Canova (1714-94), who was a mediocre sculptor specializing in altars with low reliefs and statues in late Baroque style such as Crespano. In 1770 Antonio became an apprenticed of
The first is the famous "Bartlett Head," named for Francis Bartlett, who provided the funds for its acquisition by the MFA in 1900. Celebrated in rapturous prose by Henry James within a few years of its first appearance in Boston, it was carved from luminous marble shortly after Praxiteles's Knidos Aphrodite, and remains to this day one of the most admired examples of classical Greek sculpture. The life-size head
Venus in Art Introduction to Venus and Aphrodite: Throughout history, Venus has long been a source of inspiration for artists. Her representation of love and beauty has been captured in various mediums, from the visual arts of paintings and sculpture to music and drama; Venus has served as a universal symbol of beauty and has embodied the secrets of love. Central to understanding how artists have been able to use her as
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